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About Me Member Deviously Deviant usagichan51Female/United States Recent Activity
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  • Mood: Mesmerized
I checked out Blue and Yellow Don't Make Green by Michael Wilcox, which was recommended by :iconkieke-boe:  It is sooo interesting.

One of the questions he asks in the beginning is "What happens when you shine a red light on a blue colored object?".  My knee-jerk answer is purple :D.  In reality, you would get a gray/brown/blackish color because the blue colored object would absorb most of the red light, since blue objects absorb all other colors and reflect mainly blue color.

Through a series of watercolor exercises and a lot of explaining, he shows how blue and yellow do not make green.  Quite convincingly.  The basis of his argument is the fact that if you had a pure yellow pigment and a pure blue pigment (both of which don't exist as far as we know), the combination of those pigments would not reflect any color of light back because they would be absorbing each others' colors.  The reason why you can get green when you mix blue and yellow is because there is a little bit of green in each color and by mixing it, you are canceling out the blue and yellow and allowing the green to appear.  The book explains which types of colors to mix in order to get vibrant secondaries.

Another interesting point that he brings up is the importance of opacity when mixing colors.  Although watercolors are considered "transparent" for the most part, I have noticed that colors like Cadmium Yellow are rather opaque compared to other colors.  Opacity determines how light or dark the colored grays come out when you mix two complementary colors.  Mixing transparent complementary colors will make the grays dark, while mixing opaque complementary colors make the grays lighter.

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Painting blueberries in the backyard.

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Jasmine Ray

etsy | website | blog | facebook

jasmineray51@gmail.com

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:iconjenny-springflower:
Thank you so much for faving The Hour of the Rabbit. I appreciate it! :meow:
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:iconkieke-boe:
Happy early dA birthday!~ :tighthug:

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Check out #TheArtAcademy
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:iconusagichan51:
Aww, thank you Kieke :-D. I didn't realize it was coming up! Time really flies...
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:iconkieke-boe:
I know, right?! :icondamnseriousnodplz:

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Check out #TheArtAcademy
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:icongodyna:
I love your works!
Simply MASTERPIECES!
At you a water color live!
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:iconusagichan51:
Thank you so much, Godyna! :hug:

That complement means a lot to me, because I consider your artwork to be masterpieces and you are so incredibly talented. I am very honored.
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:icongodyna:
Many thanks!!!
Mutually!

I try to learn for a long time to draw picturesquely as YOU!

In your masterpieces very soft and gentle water color!

To me to your level to draw and draw.


It is possible to ask, what paper at you?
And long you draw one work?
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:iconusagichan51:
I alternate between three watercolor papers: arches 140 lb cold pressed, arches 140 lb hot pressed ([link]) and Canson 90 lb cold pressed ([link]), depending on what I'm painting. Nowadays, I stretch the paper to prevent the paper from rippling.

The arches paper is wonderful for doing very watery watercolors, because the paper is very strong, but it is not good for sketching because the pencil and eraser seems to damage the surface if done excessively. The Canson paper is pretty good for sketching and erasing, and then adding some light washes. But it does not seem strong enough for heavy washes.

About two years ago, it used to take me 1 to 2 days to complete a watercolor (5 to 8 hours total time). But I have been having some issues with my hands (carpal tunnel and also some problems with my pinky finger), so I work slowly with long breaks in between so that I can let my hand rest. Now it takes me between 1 to 3 weeks to finish a small painting. However, I think that working slowly is good for me because I put more thought into the composition and colors.
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:iconpandekamerah:
Thanks for the fave !
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